Watercolour Brushes

Fashioned on a beautiful green 'thick' handle which is comfortable to hold, this little gem will be a favourite in your brush More Info >>

A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or More Info >>

A range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The More Info >>

This selection of 4 brushes are excellent for Chinese painting and Calligraphy.  Manufactured in the typical Japanese way, the brushes are made with hairs primiarily from wolf/goat in the More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

Flat square brush head with shorter length of hair from the ferrule, allowing control of shorter strokes, ideal for 'blocking' e.g. windows and bricks.  A good blender for oil More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for general watercolour work as well as botanical. The Red Sable Blends are More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic - infact all mediums. Ideal for artists, model painters and just about anyone look for a sable More Info >>

A beautiful Kolinsky Sable Size 10, an addition to Jean's collection. Tapered to a fine point with the liquid capacity expected from such an exquisite brush. Mounted on a lacquered black More Info >>

A beautiful Kolinsky Sable Size 12, an addition to Jean's collection. Tapered to a fine point with the liquid capacity expected from such an exquisite More Info >>

The Red Dot Daggers are excellent for thin fine lines, brush calligraphy and mark making, but wit the body of the brush for a broader More Info >>

The Red Dot Designers are slightly longer and thinner than the regular Pointed Rounds. They hold their point, carry a lot of pigment and have a great More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

The Red Dot Sword Liners hold lots of liquid to draw a fine line when a steady hand is hard to More Info >>

The Red Dot Riggers are excellent for thin, fine lines. The rigger is also known as a 'script' brush and allows for a continual flow of pigment or water, with that needle More Info >>

The Series 1582 has a long visible length of hair and a flat end, making this brush is ideal with Oils for softening or blending. More Info >>